Tracing Death as a Political Instrument: A Study of Osama Alomar’s Selected Collections of Flash Fiction

Abstract

This research article analyzes two collections of flash fiction including Fullblood Arabian (2014) and The Teeth of the Comb and Other Stories (2017) written by Osama Alomar, a Syrian refugee author. Guided by the theoretical framework of necropolitics as proposed by Achille Mbembe, this article investigates the constant presence of death and its multifaceted role in the wake of the Syrian civil war as portrayed in Alomar’s selected collections of flash fiction. The article attempts to study how death becomes an instrument in the civil war, widely used, manipulated, and exploited by various actors during the conflict-ridden period, each employing it differently. Although the selected collections of flash fiction demonstrate that death takes on many forms and performs multiple functions in the backdrop of the Syrian civil war, this research article narrows its scope to the analysis of how death is used as a political pawn and a political statement. At the outset of this research, it is postulated that the ruling Syrian regime transforms death and its fear into an instrument to intimidate and subdue Syrian civilian characters, thereby downplaying death as merely a political pawn. On the contrary, death also emerges as a political statement of the Syrian civilian characters as they begin to embrace death as a form of political activism to bring about social and political change in Syria. Invoking Catherine Belsey’s textual analysis method, some flash fiction stories from the selected collections are analyzed to study how the ruling Syrian regime and civilian characters reconfigure death in the wake of the Syrian civil war.