Abstract

AbstractThe relationships between primary source materials and their digital surrogates warrant consideration about how different materials translate into digitized forms. Physical primary source materials found in library special collections and archives and their digital surrogates challenge the viewer to consider what these objects are communicating through their materiality or lack thereof. For example, how does a clay tablet represent itself digitally, as compared to a parchment manuscript, or a paper accounts book? What qualities, stories or narratives do these resources communicate in their original forms, as digital surrogates, or when engaged with together, and how do these differ? How do both physical and digital resources serve as archival objects with the ability to reflect our social and cultural experiences—and indeed our humanity—back to us? As more and more library and museum resources are digitized and made open to researchers, such questions must be addressed as the use and reuse of digi...

Highlights

  • Robbyn Gordon Lanning holds an interdisciplinary master degree from the University of Victoria, and is a master of library information science student at the University of Washington Information School

  • Through an introduction to resources held at the University of Victoria Libraries, this article investigates the relationships between objects found in special collections and archives and their digital surrogates

  • Physical primary source materials found in library special collections and archives and their digital surrogates challenge the viewer to consider what these objects are communicating through their materiality or lack thereof

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Summary

Introduction

Robbyn Gordon Lanning holds an interdisciplinary master degree (visual anthropology and art history) from the University of Victoria, and is a master of library information science student at the University of Washington Information School. Through an introduction to resources held at the University of Victoria Libraries, this article investigates the relationships between objects found in special collections and archives and their digital surrogates.

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