Abstract

Whereas the enunciative authority often multiplies itself in the beckettian text, the spatialization which is peculiar to visual images settles the singularity of a unique point of view. The comparison with Descartes' makes appear, beyond some effects of intertextuality, the prints that the beckettian subject has left. Thus, the analysis of some beckettian diagrams and descriptions enables us to recover, within a recurrent scheme, the same figure which presents itself as the subject's image. It ultimately always appears in the singular shape of a narrow emptiness.

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