Abstract
March 2021 saw the unveiling of a new addition to the vast collection of public artworks at the Australian National University (ANU) campus in Canberra. The piece—an installation entitled A History of Student Activism at the Australian National University—compiles and presents the first comprehensive history of sixty years of student activism at ANU, and sits proudly in the common area of the Marie Reay Teaching Centre. The work comprises a large-scale wall-mounted timeline designed by Joanne Leong, complemented by a pair of moving-image artworks by Esther Carlin and Aidan Hartshorn, all ANU alumni. This article considers A History of Student Activism in the context of contemporary debate on the role of public monuments, and the extent to which public art can drive collective emancipatory action. Drawing on a recent study of the activist potential of art in the twenty-first century by Dutch artist Jonas Staal, this article tests the extent to which A History of Student Activism might serve as a reference point in the turn towards transformative propaganda art.
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