Abstract
AbstractThis paper centers on Karen Blixen’sFor Blixen as a farm owner in colonized Kenya the land appears to bear the function of a tool that places the self within the landscape in a way that bridges the gap between nature and culture, human and nonhuman. However, the land also affects the interhuman relations of the people on the farm. This paper carries out an ecocritical new materialist reading of the relationships between the human and more than human in
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