Abstract
AbstractThe ways of approaching, treating and interpreting the theatre underwent major changes in the second half of the twentieth century. As Peter Brook’s research contributes decisively to changing the perspective of understanding the nature and the meanings of theatre, the present paper aims to highlight and briefly analyze the most relevant stages of his research. His studies focused on identifying auniversal language of theatrereveal key concepts and notions such asthe empty space, the visible and the invisible, the holy and the rough in the immediate, the diversity, the homogeneous group, the storyteller with many headsin which still nowadays theatre scholars and practitioners are interested. At the same time, certain results of his research are exploited in his performances in which the emphasis is placed on the scenic presence of the actor, and which denote both a continuous experimentation of scenic forms and a personal way of speaking abouttruthin the theatre.
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