Abstract
ABSTRACTThe recording of cultural heritage objects' data and information is constructed throughout the registration of different media items, which function as an anchor of the original object in digital space. The article investigates the application of a theoretical framework for the organization of information related to the visual works, on the base of the identity of their single constituent elements. The framework is, then, used for the formalization of an ontology which is constructed as an extension of CIDOC-CRM. The result is tested with information gathered over the Asinou Church in Cyprus, expressed throughout an ontology for recording propositions over the iconographical attributes and the characteristic of images.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.