Abstract
ABSTRACTThe recording of cultural heritage objects' data and information is constructed throughout the registration of different media items, which function as an anchor of the original object in digital space. The article investigates the application of a theoretical framework for the organization of information related to the visual works, on the base of the identity of their single constituent elements. The framework is, then, used for the formalization of an ontology which is constructed as an extension of CIDOC-CRM. The result is tested with information gathered over the Asinou Church in Cyprus, expressed throughout an ontology for recording propositions over the iconographical attributes and the characteristic of images.
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