Abstract
In spite of Emmanuel Levinas's famous criticism of narratives as artistic representations, the essay argues that we should construct a "post-Levinasian" approach to narrativity that would both respect the ethical priority of the Other, and go beyond Levinas by taking into account narrative techniques, as well as the historical and political contexts. As an example, the essay analyzes different encounters that take place in Baudelaire's prose poem "The Eyes of the Poor." In the narrator's inevitable failure of reading the face of the Other we can perhaps hear the singular way in which, to quote Levinas, "across all literature the human face speaks —or stammers, or gives itself a countenance, or struggles with its caricature."
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