Abstract

This chapter locates knowledge mapping within the theoretical framework of cultural historical activity theory. Cultural historical activity theory provides an analytic tool for understanding how knowledge maps can act as “stimuli-means”: a cultural artefact that can mediate the performance of subjects (Vygotsky, 1978). Knowledge maps possess Vygotsky’s double nature: they not only enable students to enact academic practice but also allow reflection on that practice. They enable students to build an “internal cognitive schematisation of that practice” (Guile, 2005, p. 127). Further, cultural historical activity theory gives the tools to analyse the social context of our use of knowledge maps and thus consider the mediating rules (tacit and explicit) and division of labour that mediate our use of knowledge maps. Knowledge maps can be viewed as acting within Brandom’s (2000) space of reasons, which allows learners to use reasons to develop and exchange judgements based on shareable, theoretically articulated concepts and collectively develop the ability to restructure their knowledge and enact these judgements (Guile, 2011). In particular multimodal collaborative knowledge maps can act as Vygotsky’s (Vygotsky, 1978) zone of proximal development, where teacher and peer-to-peer interaction allow students to solve problems and learn concepts and skills that they would be otherwise unable to tackle.

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