Abstract

The paper explores forms and functions of the rhetoric of national character in 18th-century British literature. British writers mobilised the rhetoric of national character not only to define themselves collectively against others, but also to influence political controversies at home; in particular the class- and gender-based struggle for political rights in the emerging British nation. To analyse the forms and functions of images of national character, this paper develops a framework for a cultural and historical imagology. This framework integrates a social constructivist view of national character and national identity with discursive, rhetorical, and cultural approaches to literature. Emphasis is placed on the role that narrative devices and intermedial strategies play for constructions of national character. It is concluded that ‘national character’ not only consists of the attributes typically predicated to a specific nation; rather it is also a formal and even aesthetic construct, which relies on processes of intermedial translation.

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