Toward Transpacific Ecopoetics: Three Indigenous Texts

Abstract

In this article, I employ "the Pacific" as a contact zone, method, and concept with which to examine the dynamic, shifting relationship between land and sea that allows indigenous literature in the transpacific context to engage all of its ecopoetic complexity. The Pacific is the largest oceanic divide on earth. In recent years, issues around global capitalism, national identity, community, and the ecology of the Pacific region have sparked intriguing and provoca- tive discussions. Research along these lines celebrates the networking and coalition activities of various groups of people in the Pacific, and highlights the circulation of ideas and cultures that I believe to be crucial to contem- porary ecological scholarship. It offers an oceanic perspective that serves as a counterweight to continental ways of thinking, and it supplements or challenges transnational approaches to imperialism, postcolonialism, indi- geneity, globalization, and ecology. 1 A recent special issue of the Contemporary Pacific titled "Native Pacific Cultural Studies on the Edge" examines uncharted spaces of the Pacific Islands and historicizes indigenous discourses about making landfall, showing how they have contested the production of new transoceanic environments. The articles in this special issue "explore notions of Pacific indigeneity as they circulate through geographical, cultural, political, and historical flows of people(s), things, knowledge, power—between islands and continents." 2 As the United States and China battle over this geographical space, the message from the indigenous Pacific can be inspiring: neighboring communities have always exchanged ideas and products, often across vast oceanic distances. It was a large world in which indigenous people intermingled along numerous interconnecting routes, unhindered by the boundaries erected much later by imperial powers. Indeed, the recent wave of research on transnational