Abstract

This article considers how and why to mourn the worldwide mass deaths caused by COVID-19, first by examining Hannah Arendt’s theory of dark times, in which by virtue of common suffering a contradictory experience follows that both unites and alienates. Second, the article considers forms of melancholy exhibited during the pandemic, which emerged to the detriment of the lesson that mourning, in contrast to melancholy, reveals and acknowledges social interdependence. Judith Butler’s concept of dispossession is deployed to shape that lesson. Third, the article offers Michel Foucault’s theorization of critique as a practice to accompany mourning in the act of identification with suffering, if there be resistance to the systemic violence operative in ranking who can be counted and mourned from the COVID-19 pandemic’s many victims.

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