Abstract

he challenges entailed in writing a global literary history are threefold, involving problems of definition, design, and purpose. Can the field of inquiry be defined in such a way that a meaning- ful history can be conceived at all? If so, could an effective organization and a manageable plan of work be devised to give concrete shape to a project of global scope? Finally, and hardest of all, could a history of world literature be written that anyone would actually want to read? In the following pages, I will seek to reach affirmative answers to these questions.

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