Abstract

In this paper the rationale and the first draft of a formal ontology for modeling narrative texts are presented. Building on the semiotic and structuralist narratology, and on the work carried out in the late 1980s by Giuseppe Gigliozzi in Italy, the focus of my research are the concepts of character and of narrative world/space. This formal model is expressed in the OWL 2 ontology language. The main reason to adopt a formal modeling approach is that I consider the purely probabilistic-quantitative methods (now widespread in digital literary studies) inadequate. An ontology, on one hand provides a tool for the analysis of strictly literary texts. On the other hand (though beyond the scope of the present work), its formalization can also represent a significant contribution towards grounding the application of storytelling methods outside of scholarly contexts.DOI: http://dx.doi.org/10.14195/2182-8830_4-1_2

Highlights

  • In this paper I present the theoretical rationale of a research project at the intersection of narratology and computer science

  • There is a deep relation between the notion of character and that of narrative space

  • According to Lotman (1972) each character is defined by the narrative space to which it is bounded, and the hero is the only character that can move between different narrative spaces

Read more

Summary

Introduction

In this paper I present the theoretical rationale of a research project at the intersection of narratology and computer science. The main project objective is to analyze some essential concepts of narratology, building on the work carried out since the late 1980s by Giuseppe Gigliozzi in Italy, and to model them using a formal ontology. The main reason to adopt a formal modeling approach is that I consider the purely probabilistic-quantitative methods widespread in digital literary studies largely inadequate. In my opinion they fail to catch the intrinsic intensional and semantic nature of many literary phenomena. On the contrary, this nature can be attained and made explicit and computable using a mixed human-machine approach, like that required by ontology modeling. On the other side (which is not addressed in the present work), the formalization can represent a significant contribution in grounding the application of storytelling methods outside of scholarly contexts

Computational narratology
Looking back: searching for a rationale of digital literary studies
The role of formal ontology in Digital Humanities
An ontology for narrative characters
First draft of the character ontology
Conclusions and next steps

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.