Abstract

Abstract Homer’s treatment of the Matter of Troy illuminates the foundational impossibility of representation in ways that sponsor examination of the semiotic choices, the costs and benefits and tradeoffs, of different practices. Homer’s ekphrastic description of the shield of Achilles highlights a variety of available semiotic systems focused on different media of representation. This article explores Homeric ekphrasis in relation to later theories of media intersection, interaction, and transformation. Not only word, image, music, and dance, but also human perception as such, are subject to mediation.

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