Topos taxi: Michel Foucault and Virginia Woolf on two modern grammars of love

Abstract

The concept of love has emerged as a central topic for philosophical and theoretical discussion over the past few years. Whereas the dominant ideology of love in contemporary culture insists that love be understood as a discovery of my long lost second half with whom I merge and finally recreate a whole, contemporary philosophers and theorists have stressed the need to reconsider the concept of love within an ethical framework that can sustain the idea of the other as forever different and separate. Taking as a starting point two different taxi scenes offered by Foucault and Woolf respectively, the article outlines and discusses those two contemporary love grammars, focusing on the concepts of lack and fantasy. Whereas Woolf’s taxi scene is reminiscent of a notion of love as a fantasy of unification, Foucault’s notion of love not only observes the need to maintain the other’s specificity and separateness, but also considers lack and fantasy to be primary and fundamental parts of love as lived experience. While Foucault insists on pleasure and action he also observes the central and unavoidable power of imagination that is attributed the name and function of recollection. The article finally addresses the question of if and how we might be responsible for our daydreams and fantasies.