Abstract
1. Introduction: finding the elusive but identifiable blackness within the culture out of which Toni Morrison writes 2. Kongo's Yowa and Dahomey's Vodun: the survival of West African traditional cosmologies in African America 3. Bandoki: witches, ambivalent power, and the fusion of good and evil 4. Kanda: living elders, the ancestral presence, and the ancestor as foundation 5. Banganga: the specialists-medicine (wo)men and priest(esse)s 6. Identifiable blackness: Toni Morrison's literary canon at the Western crossroads Works cited Index.
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