Abstract
This article understands tolerance as openness to individuals or groups with different characteristics from one's own. Tolerance, as a variable capable of affecting the dynamics of social relations, has gained discursive force in relation to phenomena such as multiculturalism and globalization. On the basis of the semiotics of culture —Lotman and the Tartu School— this research proposes a methodological instru- ment for operationalizing tolerance as a socio- logical object. Understood as a content present in the signs of artistic and cultural production such as the cinema, tolerance enables to outline aspects of Venezuelan cultural identity.
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