Tokiwa Toyoko, the nude shooting session, and the gendered optics of Japanese postwar photography

Abstract

For the first decade after the end of World War Two, nūdo satsueikai (nude shooting sessions in which naked female models were photographed by groups of primarily male photographers in public parks, beaches, and studios) offered a particularly popular way to engage in photography in Japan. Photographer Tokiwa Toyoko was one of the many women entering male dominated workplaces in this period and through her portrayal of the male participants at the nude shooting session she critiqued assumptions that women were more suited to being in front of, rather than behind, the lens of the camera. The following article pursues a detailed analysis of mass media depictions of the so-called ‘birth of the female photographer in postwar Japan’ and intervenes in debates surrounding nude shooting sessions to provide a new interpretation of Tokiwa’s photographs of women who labored with their bodies. In so doing, it calls into question the foundational discourses of Japanese postwar photographic realism and reveals a new perspective on the gendered dynamics therein.