Abstract
This article aims to verify how the intimacy effects help to create a hypersensitive persona experiencing the feeling of fear in the work of Al Berto. It also tries to examine how this persona expresses an attempt of self-affirmation of subjectivity and resistance to the trivializing process of experience. By analyzing the themes of intimacy and fear, we assume that his poetry revaluates the narcissism concept, which overcomes merely a confessional voice and gains greater implications to the post-modern issues.
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