Abstract

The object of this research is the Great Imperial Crowns of the Russian monarchs in the XVIII century. The goal consists in clarification of the circumstances of creation and existence of the Great Imperial Crowns in Russia during this period, determination of their artistic peculiarities, and analysis these regalia as the works of jewelry art with consideration of stylistic evolution. For achieving the goal, the complex method based on the synthesis of art and historical-cultural approaches is applied. The author refers to a range of sources: unpublished archival documents, memoirs of the contemporaries, and visual material. This article presents a first comprehensive study on creation of the Great Imperial Crowns in Russia. The examines archival documents allow specifying names of the artists who created these regalia, many of which are introduced into the scientific discourse for the first time. The analysis of artistic image of Great Imperial Crowns is carried out. The research demonstrates that in the XVIII century this image transformed under the influence of stylistic preferences in the Russian art culture, as well as due to succession of the court jewelers who belonged to different jewelry schools. Up until Paul I of Russia, who made these regalia hereditary, the Great Imperial Crowns were usually taken apart after the coronation ceremony they were made for.

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