Abstract

Following natural disasters in urban environments, those who remain are left not only to occupy an unfamiliar space but also to experience a painfully drawn out temporality: the time of waiting. A decade after earthquakes struck Christchurch city, some residents are still inhabiting a time of limbo, awaiting decisions on the fate of their homes and businesses. In this paper, I examine various creative projects that appeared in exposed and vacant sites in post-earthquake Christchurch. These projects turned such sites into dwelling spaces in which passers-by are encouraged to hesitate and linger. Such sites thus encourage people to experience the temporality of waiting, but in a different and I argue more enabling way. This paper examines the ethical possibilities that emerge from lingering before such sites. Drawing on the notion that ethics is not so much a normative procedure and more an impetus that opens up the space of the encounter, I argue that when Cantabrians tarry before such sites, they recognise a world which is not constituted by replaceable objects, but, instead, in their responsiveness, they experience a self that is constituted by its immersion in the world. Keywords: natural disaster; waiting; temporality; Christchurch earthquakes; ethical responsiveness

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