Abstract
The paper analyzes the popular nonsense verses of the Bengali poet Sukumar Ray compiled as Abol Tabol (1923) to characterize the humor in them and assess their universality. While the colonial critique and satirical insinuations implicit in these poems have been pointed out and applauded in recent scholarly readings, the same does not account for their complex comicality. Ray’s (the spirit of whimsy) threads together the author’s preoccupations with inconclusiveness, rejection of grammatical and lexical conventions, aural suggestiveness, dialectic conciliation of contrary elements, intra-structural contingency, systemic autonomy, and linguistic play. By referring to existing theories of humor, especially Freud’s theory of “play,” and Ray’s own critical observations on language, the article reflects on the alternative way to enjoy these poems as Nonsense.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
