Abstract
The metaphor of art as a mirror, uncharacteristic of Shakespeare’s Tempest, prompts the conclusion that, rather than referring to the play, Auden invokes the Romantic interpretation of its plot. The Romantics interpreted The Tempest as the playwright’s farewell and the epitome of his artistic endeavours. Romanticism is responsible for the popular thesis that The Tempest is a parable about an artist (Prospero), alone in this world (on an island), who rules over imagination (Ariel and lowly spirits) and keeps savage nature (Caliban) in check. In his poem, Auden deconstructs the parable of the powerful artist Prospero, invoking W. Knight’s allegorical method: Knight followed the tradition of the play’s allegorical interpretation. Auden does not set out to criticize Romanticism, but rather contemplates his own experience as a poet. In The Sea and the Mirror, his reimagining of poetic experience inspires the sections ‘Prospero to Ariel’ and ‘Caliban to the Audience.’ Auden concludes that art, not unlike a mirror, reveals experiences: by looking into it, we may realize our true feelings, yet the effect proves disappointing
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
