Abstract

The article focuses on the changes in poetic self-presentation in the 2000s, examining their roots in the poetry of the 1990s. Numerous poets are examined, along with examples of their verse and statements from various literary theorists, to illustrate the entry of splits or fractures into the poetic speaking subject. Poets cited include Tat’iana Moiseeva, Nika Skandiaka, Igor’ Bulatovskii, Andrei Poliakov, Vasilii Borodin, Pavel Gol’din, Andrei Sen-Sen’kov, Boris Khersonskii, Sergei Kruglov, Nikita Ivanov, Fedor Svarovskii, Kirill Medvedev, and Elena Fanailova,

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call