Abstract

This article discusses the representation of Turks in the kulliyāt (collected works) of the fourteenth-century poet ‘Ubayd-i Zākānī (d. 1371). ‘Ubayd is well known for his satirical works (e.g. Mūsh u gurba, Akhlāq al-ashrāf), but his courtly poetry (in particular his ghazals and qasīdas) have yet to receive substantial scholarly attention. This study examines the various ways in which ‘Ubayd presents Turks in his kulliyāt, whether as an object of erotic desire, a figure to be feared on account of his violent nature, or else as a metaphor for the royal patron or other member of the ruling elite of fourteenth-century Shiraz. This article explores the tension that exists in ‘Ubayd's works between these various depictions of the Turk, shows how references to Turks in bawdy prose works and other poetic genres (such as rubā‘ī) can be used to interpret those found in more chaste ghazals, and discusses the possible implications the depiction of the Turk found in ‘Ubayd's kulliyāt may have for our understanding of references to Turks in the poetry of his contemporaries, in particular Hāfiz (d. 1389).

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