Abstract
The paper focuses on the framing types in the novel Zona Zamfirova by Stevan Sremac. We aim to determine a postclassical approach to narrative and the term narrative itself by establishing its relation to methodological guidelines of postclassical and cognitive narratol- ogy. Analyzing frames inevitably opens the question of narrative boundaries, which is why our research is based on the conclusions made by Werner Wolf and Gerard Genette. Through analytical reading of the aforementioned authors, we endeavored to interpret Sremac’s novel by dealing with paratextual frames, subtitles as (con)textual frames, initial and final frames and framing. The dynamics of the process of framing requires the application of the theory of immersion and virtual narratives thanks to whose mental simulation the recipient forms his own coherent world through the narrative.
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