Abstract

This study aims to describe the aesthetic quality of the stained glass decoration work at the Catholic Church of St. Francis of Asisi Berastagi based on the principles of fine arts, especially in the aspects of unity, balance, rhythm, proportion, composition, and center of interest. This study used descriptive qualitative method. The subjects in this study were part of the stained glass in the Catholic Church of St. Francis of Asisi, which is also a sample in this study, amounting to five samples. The sampling technique used was total sampling. The results of this study explain that the visual quality of the stained glass works in the Catholic Church of St. Francis, if viewed based on the principles of art, shows some deficiencies in these works can be seen from the number of works that only get points below three (<3), wrong the only thing is that there are still most of the works that have shortcomings in terms of composition and there is no balance in them, this is due to the color selection and placement of objects that are not quite right, plus there are still some deficiencies in the objects that are formed that are not proportional. However, even so, there are still some works that have sufficient to excellent quality, where these works are able to get points above three (> 3).

Highlights

  • PENDAHULUAN Kaca patri ialah suatu seni kaca yang mulai berkembang pada masa arsitektur gotik

  • This study aims to describe the aesthetic quality of the stained glass decoration work at the Catholic Church of St

  • Seni Ragam Hias Stained Glass Pada Bangunan-Bangunan Di Jakarta, Jurnal Dimensi Seni

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Summary

Penciptaan

Dapat terlihat di bagian bawah di bentuk garis lengkung yang terbentuk dari perairan dan pembentukan alam, sementara dibagian. Kesatuan atas cenderung menggunakan garis lurus yang membuatnya menjadi terlihat lebih kaku. Sehingga prinsip kesatuan kurang tercapai dalam karya ini, karena terlalu kontras pengelompokan tersebut. Karena penempatan yang datar antar tiap objek. Proporsi nilai proporsi yang cukup baik, dimana tidak adanya ketimpangan yang terjadi Antara ukuran dan perspektif objek. Komposisi karya ini belum sepenuhnya dapat dikategorikan baik. Hal ini dapat terlihat masih belum tercapainya irama dalam karya ini, sehingga menjadi suatu kelemahan. Untuk pusat dalam karya ini terlihat pada bentuk tangan di bagian atas, hal ini dapat disimpulkan karena perbedaan kepadatan garis yang lebih renggang sehingga menjadikannya bagian dengan kontras terkuat

Adam dan Hawa
Sakramen Perkawinan
Keluarga Kudus di Nazareth
Bahtera Nuh
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