Abstract

Timon of Athens shows Timon as extravagantly generous and sociable in the first half of the play and misanthropic in the second, in which his desire for catastrophe is potentially enacted by Alcibiades’ planned assault on Athens. This article finds a parallel in Lars von Trier's 2011 film Melancholia, which is formally divided into two parts, the first showing the depressive Justine's wedding and the second the approach of the planet Melancholia on its collision course with the Earth. The comparison illuminates the interface between psychological and physical disasters in Timon.

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