Abstract

A new approach is introduced for time-scale modification of short-duration complex acoustic signals. The method preserves an approximate time-scaled temporal envelope of the signal, thus capitalizing on the perceptual importance of the signal’s temporal structure, while also maintaining its spectral character. The basis for the approach is a subband signal representation, derived from a filterbank analysis/synthesis, whose channel phases are controlled to shape the temporal envelope of the time-scaled signal. To account for a stochastic element in the signal, channel amplitudes and filterbank inputs are selected to shape the spectrum and correlation of the time-scaled noise component. The phase, amplitude, and input control are derived from locations of events which occur within filterbank outputs. A frame-based generalization of the method imposes phase consistency and noise continuity across consecutive synthesis frames. The approach is applied to synthetic and actual complex acoustic signals consisting of closely spaced sequential time components and is applicable to music, biological, and underwater sound processing.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.