Abstract
In the first part of this paper, we have introduced a novel theoretical approach to mating dynamics, known as Tie-Up Theory (TU). In this second part, in the context of the bio-cultural approach to literature, that assigns to fictional narratives an important valence of social cognition, we apply the conceptual tools presented in the first part to the analysis of mating-related interaction dynamics in some blockbuster Hollywood movies from WWII to today. The interaction dynamics envisioned by our theory accurately reflect, to a significant level of detail, the narrative development of the movies under exam from the viewpoint of the mating dynamics of the couple of main characters, accounting for the specific reasons that lead them to react to certain situations via certain behaviors, and for the reasons why such behaviors lead to certain outcomes. Our analysis seems thus to bring some further legitimacy to the bio-cultural foundation of the narrative structure of the movies that we analyze, and moreover to the idea that it is possible to ‘inquire’ characters about their choices according to the narratological-experimental lines suggested by some proponents of the bio-cultural approach.
Highlights
In the first part of this paper, we have introduced a novel theoretical approach to mating dynamics, known as Tie-Up Theory (TU)
In the context of the bio-cultural approach to literature, that assigns to fictional narratives an important valence of social cognition, we apply the conceptual tools presented in the first part to the analysis of mating-related interaction dynamics in some blockbuster Hollywood movies from WWII to today
The interaction dynamics envisioned by our theory accurately reflect, to a significant level of detail, the narrative development of the movies under exam from the viewpoint of the mating dynamics of the couple of main characters, accounting for the specific reasons that lead them to react to certain situations via certain behaviors, and for the reasons why such behaviors lead to certain outcomes
Summary
In the first part of this paper [2] we have presented a new conceptualization of heterosexual mating as a dynamic process where the sexual and emotional dimensions interact in subtle, complex ways. The knowledge resources that are of help for a better understanding of the mating process are not necessarily the product of the psychological insight and of the ingenuity of the screenwriters, but rather represent a sort of implicit narrative grammar that screenwriters ought to abide by if they want to build a credible story [37] This is the reason why we find certain structural analogies between cinematic narratives from different periods, which are notably different for the most part of other relevant aspects, including implicit social norms and reference values, or the nature and content of sexual roles and stereotypes.
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