Abstract
Tia DeNora’s contemporary classic, Music in Everyday Life, explores the affective and aesthetic components of agency and social organization through the use of music. Due to the recent “affective turn” in critical cultural studies (e.g. Massumi 2002; Gregg et al. 2010; see Ley 2011 for a review and critique) and the recent attempts within cultural sociology to develop a research program based in the materiality of cultural objects (e.g. Born 2010), DeNora’s study offers a valuable empirical e...
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