Through the Thorns to Where? The Politics of Alternative Appropriations of Soviet Space Culture in Contemporary Russia

Abstract

This article investigates the political implications of contemporary Russian cultural artifacts that appropriate Soviet space culture. Scholarship on Soviet and post-Soviet space history, increasingly interested in cultural production, highlights the transformation of Soviet space into usable history for the Russian regime. Nostalgia for Soviet space facilitates nation-building, allows political and economic capitalization on behalf of many state-affiliated actors, and lubricates the commodification of Soviet space heroism. In this article, such appropriations are discussed in terms of a neo-heroic Soviet space narrative characteristic of Russian space culture. This narrative, which principally performs a function of legitimation, has significantly progressed in recent years. This becomes clear from the recent release of Russian historical space blockbusters. However, other attempts to use Soviet space are also present. This article suggests two other narratives that attempt to appropriate Soviet space culture: the globalized Soviet science fiction (SF) narrative, and the “futuristic realist” narrative of constructing a new USSR. In both cases, there seems to be an attempt to change a nostalgic orientation of post-Soviet space culture, offering futuristic visions instead. While such attempts are not unproblematic, this article argues that they also deserve attention, especially if we want to better understand Russia's present stance and future alternatives in the new space race. Places such as Russian space museums are especially interesting in how they appropriate Soviet space culture and history, given that they seem to integrate narratives and maneuver between them. Performing both legitimizing and futuristic functions, Russian space museums are places where a new master narrative of Russian space, connected to the Soviet one, might appear.