Abstract
This essay examines the significance of Kant's transcendental philosophy by focusing on the central metaphors used in his works. The four metaphors singled out here are those of (a) the Copernican turn, (b) the land of truth and the ocean of illusion, (c) the starry heavens and the moral law, and (d) of perpetual peace. The author emphasizes the strong and the weak points of Kant's philosophy that these metaphors reveals, and argues that these central metaphors work together and point toward the two essential concerns of Kant's entire philosophical opus: (1) an active role of the creative subject in all forms of human experience, and (2) the boundaries of the subject's creativity. Further reflection should not only reveal some other metaphors and their role in Kant's philosophy, but also clarify how he himself understand the nature of metaphors: Are metaphors the expression of our creativity, or of the limitations of our creativity?.
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