Abstract

When the COVID-19 pandemic broke out in 2020, countries around the world began enacting lockdown measures and enforcing social distancing rules. Almost at the same time, the use of drones also began to see a spike, especially in the hands of civilian users. This article examines the phenomenon of the drone video as a genre of the pandemic. While drone imagery is not endemic to the COVID-19 crisis, in the face of mass deaths and lockdowns, drone users globally began to turn to the drone as a mobile archive machine. Drawing on recent scholarship on drones, I examine how the drone’s vertical vision afforded a form of pandemic witnessed by proxy. Despite the increasing use of drones for policing, surveillance and warfare, in the case of India, drone imagery also played an important role in countering government narratives about the pandemic and its body counts. Examining the drone images captured by the late photographer Danish Siddiqui, I demonstrate how the drone’s ‘vertical play’ facilitated the emergence of a counter-archive of the pandemic.

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