Abstract
This essay considers threshold phenomena as mediums—that is, as technical support—for expression. For illustration, I discuss Shelley Hirsch’s live vocal interpretation of Christian Marclay’s Manga Scroll, a landscape-like musical score composed of onomatopoeias taken from Japanese comics. Hirsch’s performance of threshold enacts expression as a new milieu of experience. Attending to threshold phenomena can show points of contact among mediums and forms of technical support to see how modes of expression fold, unfold, merge, and emerge.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
