Abstract
The three narrative strands that inform this essay - the life-story of George McCall Theal, the history of colonialism in South Africa which he wrote, and the Xhosa folktale - are, to a large extent, incongruent with each other, and their interweaving produces an ungainly, sometimes ambivalent overarching narrative. The narrative nevertheless hangs together, perhaps as much because of its gaps and contradictions, as by dint of its points of contiguity. In postcolonial terms, Theal's influential historical and ethnographic texts can be seen to [employ] a system of representation, a regime of truth that is structurally similar to realism (Bhabha 1994, 71), but their dissonances point to their contrivance - and that is the point of departure for this study.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
