Abstract
Increasingly Symbolism appears as one of the pivotal forces at the beginning of the modern movement, and many of the younger scholars in the modern field are devoting their attention to it. Three of the papers delivered at the Baltimore meeting of the College Art Association in 1963 relate felicitously to each other and will perhaps help to establish the effects of Symbolist thought and form on three major movements in early twentieth century art: Intimism, Cubism and Neo-Plasticism.
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