Abstract
AbstractJoseph Addison's 1713 play,Cato: A Tragedy, dramatizes the final days of Cato the Younger's resistance to Julius Caesar before his eventual suicide at Utica in 46 BC. Although Addison initially seems to present Cato as a model for emulation, we argue that Addison is ultimately critical of both Cato and the Stoicism he embodies. Via the play's romantic subplot and via his work as an essayist, Addison offers a revision of the Catonic model, reworking it into a gentler model that elevates qualities such as love, friendship, and sympathy and that is more appropriate to the type of peaceful civil and commercial society he wishes to promote.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
