Abstract

those from Rendina (no. 38) and Fonti di San Callisto (no. 36) (fig. 7, 1 and 2) to the almost abstract, as on the three figurines from Riparo Gaban (nos 8, 9 and 10) (fig. 5, 3 and fig. 7, 3 and 4). In these last cases, the depiction of the sexual organs is so stylised that they could perhaps

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