Abstract
The purpose of this study was to analyze how structures designed by Fay Jones become invested with sacredness. The spaces being reviewed include Thorncrown Chapel and the Mildred B. Cooper Chapel. The framework for this criticism was based upon the symbolic principles expressed through architecture. Other strategies performed in this investigation included interviews with Maurice Jennings, on–site studies, and photographic examinations. Analysis of Thorncrown and the Mildred B. Cooper Chapels was based upon the relationship of architecture and the cosmos, number symbolism, natural rhythms, patterns, and materials. Jones's craftsmanlike structures examine humankind's relation to nature and its place in the larger cosmic order. The “principles” Fay Jones espouses evoke a universal harmony present in the physical universe. Harmony resonates through the work. Jones's work is inclusive, incorporating and repeating congruent themes at small and large scale into a total statement of universal order. Both chapels represent a quiet celebration of the American belief in the sacredness and ultimate worth of each individual.
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