Abstract

Acknowledgements Introduction Chapter 1: Life Chapter 2: City Comedies: Mad World, My Masters, Michaelmas Term, and A Trick to Catch the Old One Chapter 3: Authorship, Collaboration and the London Theatre: Middleton and Dekker, The Roaring Girl Chapter 4: Tragicomedy and the City: Chaste Maid in Cheapside and No Wit, No Help Like a Woman Chapter 5: The Playwright as Craftsman: Middleton's Civic Pageants Chapter 6: Plotting Revenge: Revenger's Tragedy and Women Beware Women Chapter 7: Partners in Tragedy: Middleton and Rowley, The Changeling Chapter 8: Politics and Theatre: A Game at Chess Bibliography

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