Thinking Across Worlds: Pluriversal Potentiality

Abstract

Reflecting on the epistemological history of the microscope alongside theories of pluriversality and Anishinaabe mnidoo ontology, “Thinking Across Worlds” addresses the microscope as an instrument of decolonial worlding through two artworks created by the authors. We ask, “How can we think across worlds—microscopic and macroscopic, western and Indigenous, scientific and creative—to transform the present and the future, from ecological devastation and colonial violence to sustainability and decolonial justice?” The art works, titled Gathering and Resonance, are experiments in political ontology, through immersion in other worlds, other versions of reality. In these microscopic hydrospheres, Anishinaabe mnidoo reality prevails. Human viewers are dwarfed by the microscopic mnidoo that surround them. The place of humans is revealed to be a mere part within a multiplicity of relations. Our own interests are eclipsed by the dramas that play out among these minute forms of consciousness.