Abstract
Counted among the most original and prolific medieval French poets, Thibaut IV, count of Champagne and Brie, King of Navarre, was also called Thibaut the poet entertainer (1201–1253). This great-grandson of Eleanor of Aquitaine and great-grandfather of Marie de Champagne, was celebrated by Dante for the purity of his lyrics and widely admired for his mastery of all genres of the time. Remarkable as well for his interpretations of antique mythology and bestiaries, this grand prince and Crusade hero forged poems devoted to the Virgin, transmuting the lyrical lady into a celestial figura. The generous and capacious volume to hand, prepared by young scholars, one French and two Americans, is completely devoted to the famous poet; it is, since the long-respected 1925 edition by Wallensköld (SATF; just a single scholar), the first really complete one. It offers not only all the poems (love songs, debate poems, pastourelles, Crusade, and religious poems) accompanied by their melody, but also robust notes, concordant variants, and isolated melodies. The modern French translations are complemented by additional comments in the glossary, thus offering the reader a very generous and useful reference tool, the fruit of years of accumulated philological and musicological research.
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