Abstract

Using the narrative of Ellen and William Craft's escape from slavery, together with a database of 2260 runaway slave advertisements published in antebellum South Carolina newspapers, this article examines the ways in which runaways exploited whites' notions of race and freedom to pass as free. Acculturated women and men engaged in intricate performances in which they exploited colour, dress, language, and employment skills to transcend lines of race and class, in order to assume free identities. Recognising that freedom could be performed, if not legally attained, the majority of runaways did not strike out for free territory. Instead, many remained in the South where they created free identities that enabled them to secure employment, enjoy mobility, and maintain kinship ties, if only temporarily.

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