Theory of acoustic design of opera house and a design proposal

Abstract

First of all, the theory of subjective preference for sound fields based on the model of auditory-brain system is briefly mentioned. It consists of the temporal factors and spatial factors associated with the left and right cerebral hemispheres, respectively. The temporal criteria are the initial time delay gap between the direct sound and the first Reflection (Dt1) and the subsequent reverberation time (Tsub). These preferred conditions are related to the minimum value of effective duration of the running autocorrelation function of source signals (te)min. The spatial criteria are binaural listening level (LL) and the IACC, which may be extracted from the interaural crosscorrelation function. In the opera house, there are two different kind of sound sources, i.e., the vocal source of relatively short values of (te)min in the stage and the orchestra music of long values of (te)min in the pit. For these sources, a proposal is made here.