Theories Principles and Rules in Diwan (Drawak li Chepa Sari ya Qasiyoni)

Abstract

In the history of world literature, many theories and literary approaches have emerged to define the tasks of literature according to the nature and components of literary productions. These theories and curricula have led to changes and developments in the mentality and manner in which authors and writers have written their literary texts. It is so natural that these literary theories are reflected in one way or another in Kurdish literature as well, because Kurdish writers have been able to get benefit from these theories principles and rules in their literary creations.       The theory of creativity is considered as one of the important literary theories, which emphasizes the artistic and aesthetic aspect of the text and the exclusion of literature from the service of aspects beyond the field. This theory has been able to change the way authors and writers think about literature and generate more modern functions of literary texts.       The aim of this research is to test the basis of the theory of creativity on the Kurdish literary texts to show to what extent these bases reflected on Kurdish literature and how it became a means and tool for new creative creations.      The poetry book (the upper corners of the Qasyon) of the poet Mohsin Qouchan, in terms of construction and technical technique is different from other books of the poet because the Qouchan's deal with the language and writing in these texts is a simple language and far a way of full emotions. On the other hand, the texts of this book have no direct expressions and attention to content, and the poet preferred the weight of his texts to the artistic and aesthetic side and the sense of pleasure with the texts. The poems of this chamber were guided by the effects of serving the various aspects of life towards the service of literature itself. As a result, it seems to us that the poet embodied the foundations of the theory of creativity in his texts and that his poems are of different nature and components and written for a special and not arbitrary function, where the poet focused on aesthetics, the sense of pleasure in texts and the development of poetic experience in the region.