Theoretical Paper Projective identification in the analytic relationship: Phantasy, or the symbiotic dance of the Eloi and the Morlock's?

Abstract

Content & Focus:H.G. Well’s novel The Time Machine shows how art imitates reality and brings to life Klein’s concept of projective identification. Using a composite example of sessions from a Humanistically-oriented addiction service and subsequent psychoanalytic training, supports how the process of projective identification can be understood as a communication. The concept of projective identification is developed from an intrapsychic to an inter-psychic process. In this reciprocal relationship projective identification is the therapy. How the philosophical underpinnings of each service and their competing approaches can lead to very difference outcomes, is also explored.Conclusions:Klein’s theories have multidimensional implications and the concept of projective identification is easily misused. Rather than conceptualising projective identification as a psychotic or malign defense, the emotional tugs of intersubjectivity are a key to effective therapy. Patient and practitioner essentially become co-operating parts of the whole, and so develop together by working thorough the symbiotic dance that is projective identification.