Abstract

ABSTRACT This study appraises the ideological criticism that emerged in the Chinese architectural sphere during the anti-waste campaign of 1955, which marks a pivotal moment in the history of modern Chinese architecture. Within this timeframe, architects and architectural scholars such as Chen Gan, Shui Fengman, and Liu Dunzhen, respectively questioned, defended, and criticized Liang Sicheng’s architectural ideas. Their articles were published in prominent Chinese publications including People’s Daily, Wenyi Bao [Art News], Jianzhu Xuebao [Journal of Architecture], and Xin Jianshe [Journal of New Construction]. By delving deep into the conceptual framework and the logical structure of these long-neglected critique articles, this study unveils the intricate debates in Chinese architectural practice and theoretical concepts during the 1950s. The findings highlight that the ideological critique during the anti-waste campaign not only reflects the infiltration of politicized rhetoric into the architectural domain but also assumes a profound significance in terms of the early attempts of Chinese architects to re-evaluate architectural historiography through the lens of Marxist theory. This pivotal event laid the foundation for the gradual formation and consolidation of a series of discursive patterns within the Chinese architectural community, exerting a lasting influence on contemporary architectural discussions and writings in multifarious ways.

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