Abstract

Theoretical conditions for the analysis of the children choir repertoire in its historical retrospective (on the basis of the cantata for children «The Sun Circle» by L. V. Dychko)

Highlights

  • The topicality of the article is defined by the intention to consider the cantata for children by L

  • Dychko “The Sun Circle” as an example of the neoclassical interpretation of the cyclic type genre form, the semantic invariance of which is based on the principle of a singing/praising a certain ideal

  • The pragmatic angle of the problem concerns an adequate reproduction of the composer’s plan presupposing that in addition to the requirements for the technical competence of the performing, a special attention is needed to be deal to understanding of the conception of the work

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Summary

Introduction

The topicality of the article is defined by the intention to consider the cantata for children by L. Dychko “The Sun Circle” as an example of the neoclassical interpretation of the cyclic type genre form, the semantic invariance of which is based on the principle of a singing/praising a certain ideal.

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